

It is the celebration of the sacrifices made that highlights what it means to be an Übermensch. The immigrant sublimates his exploitation by becoming the exploiter.
It is made even more clear in the conversations of Michael with Roth about Cuba - Michael commentary on the cuban revolutionaries in some ways highlights the problem with western literary critique: one could say he has sympathy with them just because he pointed it out but is pointing out really justify such an interpretation? Do we ignore his class? Much of godfather has those “leimotifs”; that simply showing bad things happens is considered criticism while it painstakingly takes the time in the story so that we empathise with its protagonist, for example.
Still love the movie though because, well, im not that sophisticated and learned (but primarily, let’s be honest, material conditions).





Pretty much agree.
Don’t get me wrong, Shelley’s Frankenstein is clearly a more sophisticated piece of art than the movie and much to be learned from it, and arguably influenced a lot of western fiction thereafter but we do we have to be cognizant of the classes it is batting for.