I’ve seen literally countless movies just this year that have CIA presented as ‘‘good’’, helping the protagonist, the protagonist or some of the main characters is’‘ex-CIA’’ or currently employed or has some connections to it or is at least just mentioned etc, you get the point.

How is it possible that terrorist organization is constantly ‘‘positive’’ in movies and casually presented like that, that is like showing Gestapo or ISIS as ‘‘good guys’’.

And it’s literally thousands of movies with essentially the same fucking plot over and over again . How does no one notice after all this time or bats an eye about terrorist organization being shown in any other way than, you know, terrorist filled with lowest and worst scums in history that should be destroyed?

I don’t even know how do people not notice, complain and put a stop to it.

  • afellowkid
    7·
    1 year ago

    https://en.prolewiki.org/wiki/Hollywood

    The U.S. Department of Defense has access to the scripts of thousands of Hollywood films and modifies them to make them more favorable to U.S. militarism.[5] The government and military have complete editorial control over many of these films.[3] The government often censors movies that suggest U.S. military incompetence, war crimes, or involvement in torture or coups. Many movies that are critical of U.S. imperialism are never released at all.[5] Pro-imperialist films are allowed to use authentic military equipment and vehicles that the producers would not be able to afford otherwise.[1] Popular U.S. movies that have been influenced by the Pentagon or CIA include Apollo 13, James Bond, Jurassic Park, Godzilla, Transformers, and the Marvel movies. Pentagon contracts usually specify that the government’s role in the film must not be disclosed.[5]

    Kwame Nkrumah writing about this issue in 1965:

    Even the cinema stories of fabulous Hollywood are loaded. One has only to listen to the cheers of an African audience as Hollywood’s heroes slaughter red Indians or Asiatics to understand the effectiveness of this weapon. For, in the developing continents, where the colonialist heritage has left a vast majority still illiterate, even the smallest child gets the message contained in the blood and thunder stories emanating from California. And along with murder and the Wild West goes an incessant barrage of anti-socialist propaganda, in which the trade union man, the revolutionary, or the man of dark skin is generally cast as the villain, while the policeman, the gum-shoe, the Federal agent — in a word, the CIA — type spy is ever the hero. Here, truly, is the ideological under-belly of those political murders which so often use local people as their instruments.

    Sorry that I don’t have much to add personally aside from these quotes.