I have made my labor of citing sources for my claims, so while my interpretations of certain facts are indeed cynical (why would a communist not navigate with cynicism bourgeois society and the media arising from it?), the facts behind them are not deniable. Per example: Rammstein has made use of nazi imagery by using footage from the same director that filmed “Triumph of the Will”, and that is true no matter how you look at it. If you think that they were justified on it, then that is a different topic.
This being said, I invite you to think: would you agree to find these actions justifiable if they did not have the Rammstein brand over them, coming instead from a more modern band?
If using Leni Riefenstahl’s footage is condemnable, are you also going to condemn them for wearing nazi uniforms in their videos, as well as everyone else who’s been involved in a film that uses nazi imagery?
Obviously there’s contextual nuance involved, and you’re steamrolling over it with that question. You haven’t even mentioned the context in which Riefenstahl’s footage was used.
The irony is that people who defend Triumph Of The Will say that it should be judged separate from the political context in which it was created.
I have made my labor of citing sources for my claims, so while my interpretations of certain facts are indeed cynical (why would a communist not navigate with cynicism bourgeois society and the media arising from it?), the facts behind them are not deniable. Per example: Rammstein has made use of nazi imagery by using footage from the same director that filmed “Triumph of the Will”, and that is true no matter how you look at it. If you think that they were justified on it, then that is a different topic. This being said, I invite you to think: would you agree to find these actions justifiable if they did not have the Rammstein brand over them, coming instead from a more modern band?
If using Leni Riefenstahl’s footage is condemnable, are you also going to condemn them for wearing nazi uniforms in their videos, as well as everyone else who’s been involved in a film that uses nazi imagery?
Obviously there’s contextual nuance involved, and you’re steamrolling over it with that question. You haven’t even mentioned the context in which Riefenstahl’s footage was used.
The irony is that people who defend Triumph Of The Will say that it should be judged separate from the political context in which it was created.
There’s no need to dig that deep into it. Till Lindemann himself recognised it was a provocation that they took too far.