From the comments, it seems most of the productions are either overseas or have the script “finished.” Some are even saying only the A list actors in those productions are from SAG. WGA is not participating on this, so there’ll be no script rewrites mid-production.
I have not investigated too much, but the sheer amount of films being made by companies named “film name LLC” looks a bit fishy to me.
Yeah the fear is understandable. It definitely does open a window for strike breaking. Perhaps SAG-AFTRA might able to adjust its policy on allowing interim agreements when the effects are realized.
I think what’s important to be aware of too for anyone keeping up with the strike, is that there are a lot of division tactics happening in these entertainment publications – pitting writers against actors, quoting actors and placing emphasis on their concerns about union policy, etc.
No one should trust any commentary unless it comes directly from the unions themselves.