In prose fiction specifically, as it’s sort of a given for a lot of poetry. Thinking things like “Ulysses” by James Joyce, although to a lesser extent. It seems like a lot of the writing advice I get for fiction I work on is to simplify it or that my wording is a tad confusing, but I think I just like to write that way. Not give readers a headache per se, but I like the concept of bleeding ideas into one another and leading people to really think about what they’re reading. Idk. I feel like there’s been sort of a push for simplification of prose where the more direct and literal your writing, the “stronger” it is, and relying on metaphor and allegory is considered “weaker” writing. Using a word with more than two syllables in it may be considered tryhard or superfluous. What do you think?

  • commet-alt-w
    link
    62 years ago

    it seems people are really tired of rhetorical devices, and guessing meaning, or leaving meaning up to question/interpretation because it leads to misinterpretation, or very often these days it leads to reinterpretation for a political ideology which it does not fit. probably a side effect of so much post-modernism (?)

    metaphors and allegories are powerful tools of writing though, and it’s an amazing way to convey abstract thought and relate it to pre-existing cognitive development in way that expands consciousness.

    tools in a toolbox. not about weaker or stronger, but just about understanding where your audience is at, and then what is important, or maybe necessary, for that audience