This is of course inspired from that “AI entrepreneur” douchebag that spent $745 to commission a treat printer to print out a shitty and soulless whitewashed version of Princess Mononoke and assigned himself that title the way that putting a quarter in a gumball machine makes someone a candy entrepreneur.

I really don’t have a good answer. Anyone else?

  • BodyBySisyphus [he/him]@hexbear.net
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    14 days ago

    The idea that we could live in a future where you never know when you pick up a book or go to see a film if you’re about to see a genuine piece of human expression or a machine-hallucination that has the shape and look of art while being bereft of expression or meaning

    Not trying to make you run screaming for the nearest copse, but aren’t we already there? The number of times I’ve picked up a widely-acclaimed something only for it to turn out to be utter bullshit feels pretty high. Tons of people are writing novels and producing movies with a stunning absence of interiority because that’s what’ll sell, or what an algorithm has determined what will sell.

    • Coca_Cola_but_Commie [he/him]@hexbear.net
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      14 days ago

      Oh, don’t get me wrong, mass culture is not in a good or healthy place right now. It’s all becoming corporate-friendly pap. And I do despair a bit every time I see the acclaim a Colleen Hoover or Sarah J. Maas book or a Star Wars sequel show or Marvel slop receive. But I see it as a bit of a Hays Code thing; even though most artists are forced to produce work under the edicts of the invisible king Capital there are enough of them who are smart enough, subversive enough to make art that is still real, beautiful, and just human. And since the current state of culture is largely the result of studios and publishers conglomerizing and then chasing bigger, safer profits I believe that eventually they will become too big, collapse under their own weight, and something else will replace them.

      And of course there’s a smaller but healthier scene of lesser studios, publishers, and indies still putting out interesting stuff. Even during that brief period where Streamers were throwing money at everything resulted in some art that never would have gotten made under the regime of cable TV, though obviously that’s quickly ended up replicating the issue.

      That might all sound a bit hopeful, I suppose. It is hard for those artists on the fringes eking out work, and it’s hard for those making work that’ll be allowed in by corporate gatekeepers while still being meaningful, and if the publishers and studios do collapse that’ll probably be harder still. But I think it’s possible that someday mass culture will be healthier than it is now.

      • BodyBySisyphus [he/him]@hexbear.net
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        14 days ago

        I don’t have high hopes for mass culture (penny dreadfuls and their descendents date back to the printing press), but true art has always thrived on the margins. AI (hopefully) won’t change that, but it’ll make the going harder.