The point is that his voice is being used without his permission, and that companies, profiteering people, and scammers will do so using his voice and the voices others. He likely wants some kind of law against this kind of stuff.
It’s emotionally charging to hear your own voice saying things you did not. Dismissing a victim describing what happened because they’re emotional about how they were wronged doesn’t make sense to me.
Artists aren’t being scammed. They’re being replaced by automated systems. It’s the same thing that happened to weavers and glassblowers. The issue isn’t that their job is being automated. It’s that people replaced by automation aren’t compensated. Blame the game, not the players.
It’s much closer to having glass blowing artists designs, perfectly replicated in an automated fashion, and at scale— and without compensation to the artist. I would argue that it is tantamount to being scammed.
In this specific case, it’s more like a bunch of glassblowers were being paid to make designs on behalf of a company. Then they went on strike, and the company decided it would be cheaper to replicate their designs with an automated system than to meet the workers’ demands.
I don’t think it’s a particularly odious mental challenge to understand that we’re not upset about the general concept of doing things at scale, and that it depends on what the thing in question is.
For instance, you’d probably not be terribly upset about me randomly approaching you on the street once - mildly annoyed at most. You’d probably be much more upset if I followed you around 24/7 every time you entered a public space and kept badgering you.
If you made a painting for me, and then I started making copies of it without your permission and selling them off, while I might not have stolen the physical painting, I have stolen your art.
Just because they didn’t rip his larynx out of his throat, doesn’t mean you can’t steal someone’s voice.
We’re getting into samantics but it’s counterfeit not stolen.
It would be more like if you made a painting for me, and I then used that to replicate your artistic style and used that to make new paintings without your permission and passed it off as your work.
You’re also not causing da Vinci to potentially miss out on jobs by copying it. You’re also not taking away his ability to say no to something he doesn’t want to be associated with.
It’s not copyright infringement. You can’t copyright a style, which is basically what a voice amounts to.
This is something new. It’s a way of taking something that we always thought of as belonging to a person, and using it without their permission.
At the moment the closest thing is trademark infringement, assuming you could trademark your personal identity (which you can’t). The harms are basically the same, deliberately passing off something cheap or dodgy as if it was associated with a particular entity. Doesn’t matter if the entity is Stephen fry or Pepsi Max.
It is, as a matter of fact. When Fry recorded his voice for those audiobooks, they were copyrighted. Reproducing the contents of those works as they have is, arguably a violation of copyright.
And when you compare Steven Frye to Pepsi Max, that’s a false equivalence, because you’re comparing a copyrighted material to a trademarked brand which are two different things.
Still, to your point of theft, nobody is taking anything from anyone. They are using something without permission, and that still falls squarely as copyright infringement, not theft.
That’s not reproduction of content so isn’t a copyright violation. Not shouldn’t be. Literally right now is not.
The whole reason people are so up in arms about this is that we do not currently have laws or even standards that accurately police this kind of thing.
His voice wasn’t stolen, it’s still right where he left it.
Fair enough. It’s not theft, it’s something else.
But that’s just semantics, though.
The point is that his voice is being used without his permission, and that companies, profiteering people, and scammers will do so using his voice and the voices others. He likely wants some kind of law against this kind of stuff.
It’s emotionally charged semantics.
It’s emotionally charging to hear your own voice saying things you did not. Dismissing a victim describing what happened because they’re emotional about how they were wronged doesn’t make sense to me.
How is this different from a human doing an impersonation?
Because it can be done fast, reliably and at scale.
This, and it’s not a human. All these analogies trying to liken a learning algorithm to a learning human are not correct. An LLM is not a human.
Our entire society would collapse if we couldn’t do things fast, reliably, and at scale.
Yes, but if “things” is replaced by scamming artists, that’s a shitty society
Artists aren’t being scammed. They’re being replaced by automated systems. It’s the same thing that happened to weavers and glassblowers. The issue isn’t that their job is being automated. It’s that people replaced by automation aren’t compensated. Blame the game, not the players.
It’s much closer to having glass blowing artists designs, perfectly replicated in an automated fashion, and at scale— and without compensation to the artist. I would argue that it is tantamount to being scammed.
In this specific case, it’s more like a bunch of glassblowers were being paid to make designs on behalf of a company. Then they went on strike, and the company decided it would be cheaper to replicate their designs with an automated system than to meet the workers’ demands.
Yes, but this is a new tool with new implications.
I don’t think it’s a particularly odious mental challenge to understand that we’re not upset about the general concept of doing things at scale, and that it depends on what the thing in question is.
For instance, you’d probably not be terribly upset about me randomly approaching you on the street once - mildly annoyed at most. You’d probably be much more upset if I followed you around 24/7 every time you entered a public space and kept badgering you.
Can you seriously not answer that question yourself?
well, you seem to have trouble doing it
You know what the difference is, trying to act otherwise is just being obtuse.
You could say it’s not, which means in US law at least, it’s settled and they could be sued.
There was a difference between complete duplication and impersonation for the purposes of satire.
Can’t fake timbre.
Largely? The lack of convincing emotional range.
If you made a painting for me, and then I started making copies of it without your permission and selling them off, while I might not have stolen the physical painting, I have stolen your art.
Just because they didn’t rip his larynx out of his throat, doesn’t mean you can’t steal someone’s voice.
We’re getting into samantics but it’s counterfeit not stolen.
It would be more like if you made a painting for me, and I then used that to replicate your artistic style and used that to make new paintings without your permission and passed it off as your work.
Well, I just printed a picture of the Mona Lisa.
Did I steal the Mona Lisa? Or did I just copy it? Reproduce it?
You’re also not causing da Vinci to potentially miss out on jobs by copying it. You’re also not taking away his ability to say no to something he doesn’t want to be associated with.
That’s fine. I’m not arguing this is a bad thing, I’m just being pedantic about the word theft.
Having your voice used to say things you didn’t say is a terrifying prospect. Combined with deep faking takes it one step further.
But is it technically theft?
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Yes, actually. In the same way as copyright infringement or identity theft could be considered so.
Bette Midler vs Ford
Your link didn’t say anything about theft…
The idea obviously doesn’t apply to the public domain.
FaceDeer stop being an inhuman techbro about ai for 5 minutes challenge
What word or phrase would you have used in the headline ?
“Copied” or “mimicked” would be more accurate.
I’ll go for ‘captured’ which is both figuratively and literally accurate
Hornswaggled?
Copyright infringement, which, in this context, is still a seriously concerning crime.
It’s not copyright infringement. You can’t copyright a style, which is basically what a voice amounts to.
This is something new. It’s a way of taking something that we always thought of as belonging to a person, and using it without their permission.
At the moment the closest thing is trademark infringement, assuming you could trademark your personal identity (which you can’t). The harms are basically the same, deliberately passing off something cheap or dodgy as if it was associated with a particular entity. Doesn’t matter if the entity is Stephen fry or Pepsi Max.
It is, as a matter of fact. When Fry recorded his voice for those audiobooks, they were copyrighted. Reproducing the contents of those works as they have is, arguably a violation of copyright.
And when you compare Steven Frye to Pepsi Max, that’s a false equivalence, because you’re comparing a copyrighted material to a trademarked brand which are two different things.
Still, to your point of theft, nobody is taking anything from anyone. They are using something without permission, and that still falls squarely as copyright infringement, not theft.
This did not occur.
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That’s not reproduction of content so isn’t a copyright violation. Not shouldn’t be. Literally right now is not.
The whole reason people are so up in arms about this is that we do not currently have laws or even standards that accurately police this kind of thing.
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