Shadowrun’s original setting is only a few decades in the future now 
and there was already the idea of NERPs (“New Exciting Retail Products” that caused explosions of consumerist violence a bit like the szechuan sauce riots some years back), so unless it was too uncomfortably close for my group or too on the nose, I was tempted to have a setting where a prevalent presence and potential threat was a bunch of affluent bazingas with combat drones that are scoring epic hero points for their battle passes and season passes and so on by remotely shooting undesirables (such as Shadowrunners) that are visually reskinned as zombies or whatever so they can be “just like in the treats.”
If I wanted to go extra heavy on the meta-narrative the bazingas would themselves be fantasizing about being Shadowrunners while gunning down Shadowrunners, and they’d see Damien Knight (or the equivalent tech billionaire, though Damien really needs to catch up with actual contemporary billionaires for evil) as the “ultimate rebel” and the like.
Probably too heavy-handed, but might workshop it.
If anything that’s toned down from the setting’s “corpobrats literally hire mercs to babysit them while they hunt metahumans for sport in the barrens” canon. I feel like Shadowrun and to a lesser extent Cyberpunk are tonally basically the Disco Elysium “mask of capital” quote except the mask has been whittled down to like some novelty sunglasses and still nobody cares, because the average person is so blackpilled that TV stations run liveleak grade videos at primetime on network TV, with the only alternative being Disney grade bottom of the barrel flavorless nostalgia slop.
That is to say you literally cannot be too heavy handed in making the setting a bizarre and horrifying mirror of reality, because that’s what it’s supposed to be. Write it like it’s an onion piece mocking [current fad] and slap some neon paint on there and it’s fine.
Urban Brawl would be the same, just more obnoxious and plastic-feeling