Mimics, mimics everywhere is a sign of a bad DM who can’t create tension without bullshit paranoia, or a personal grudge.
Unless the table signed up for that kind of adventure, the challenges should be achievable within the party’s abilities, eg “Oh if only you could speak with animals you could have foiled the BBEG’s plans”
I mean, the same could be said of GMs that run a module without telling the table they’re running a module “to keep you from looking it up”, etc. Personally, I flat-out tell my players I’ll be running a certain module and that I’ll be considering it like jazz does sheet music. In fact, when I ran Xanathar’s arc after it’s release, the silent business partner to his faction was an ages-old black market syndicate headed by a mimic mafia (with changelings as their juvenile stage, tasked with learning humanoid ways via a sort of rumspringa).
Establishing that not only can anything be a mimic, but the resonant fact that said mimics were more interested in observing rather than mindlessly ambushing outright was far more paranoia-inducing than any stereotypical expectation, NGL. It wasn’t long before the party was all but wishing for the wardrobe/carriage/over-large chest/ornate tome to just attack and get it over with. 🤣🤘🏼
I’d argue that it’s more fun to bury the lead on a module/set dungeon, to prevent any (even subconscious) meta-gaming from upsetting the play between more/less seasoned players, but I do like the “jazz and sheet music” analogy.
If someone clicks/is told you’re using Tomb of Horrors, they’ll know more than a player who is experiencing that for the first time organically. Obviously applying that and not breaking PC-player knowledge divide is the players issue to maintain, but they’ll still have that seed lurking in their brain about the upcoming set pieces
I’m on team “tell the players”, personally, because it lets the players customise their characters for the module. A group for Wilds Beyond the Witchlight are going to be different from Descent Into Avernus, for example.
(Of course, if a player decides to put Doom Guy in a fairy tale, that’s perfectly fine, but it should be their choice.)
Also, a person who knows about Tomb of Horrors will figure it out pretty quickly during gameplay anyway because of those set pieces you mentioned, so it doesn’t matter if you didn’t tell them what it was. Heck, they might even have bowed out so they don’t ruin things with their meta-knowledge, if only they knew what they were going to be playing.
And, I don’t necessarily disagree, though it’s the latter half of the statement that clarifies the problematic thinking: removing player agency is not a good first step.
Fair point, though I can only assume that it won’t be long before people are mispronouncing it IRL, for reasons not unlike “decimate” vs. “devastate”. 🫣 Ah, the consequences of underfunded education at the national scale. 🥹
They are funny as memes, but beginner DMs might not be able to tell the difference.
I feel the same way about the False Hydra. As a recounted creepypasta it sounds cool. As an actual TTRPG enemy it’s unworkable. Either the adventure will be very scripted, because the DM has to pretty much allow you to perceive it, or it will be completely unfair and insufferable, because you’ll need to constantly pretend you don’t notice it and that you forget things as it decimates the party. It’s not a good D&D enemy, it doesn’t even fit the rules of D&D well. Mind effect with no saves unless you cover your ears? C’mon…
It’s also a quick way to turn a regular player into a murderhobo, because if can’t trust anything not to be hostile, the best approach is to attack first.
Mimics, mimics everywhere is a sign of a bad DM who can’t create tension without bullshit paranoia, or a personal grudge.
Unless the table signed up for that kind of adventure, the challenges should be achievable within the party’s abilities, eg “Oh if only you could speak with animals you could have foiled the BBEG’s plans”
I mean, the same could be said of GMs that run a module without telling the table they’re running a module “to keep you from looking it up”, etc. Personally, I flat-out tell my players I’ll be running a certain module and that I’ll be considering it like jazz does sheet music. In fact, when I ran Xanathar’s arc after it’s release, the silent business partner to his faction was an ages-old black market syndicate headed by a mimic mafia (with changelings as their juvenile stage, tasked with learning humanoid ways via a sort of rumspringa).
Establishing that not only can anything be a mimic, but the resonant fact that said mimics were more interested in observing rather than mindlessly ambushing outright was far more paranoia-inducing than any stereotypical expectation, NGL. It wasn’t long before the party was all but wishing for the wardrobe/carriage/over-large chest/ornate tome to just attack and get it over with. 🤣🤘🏼
edit: spelling, clarity
I’d argue that it’s more fun to bury the lead on a module/set dungeon, to prevent any (even subconscious) meta-gaming from upsetting the play between more/less seasoned players, but I do like the “jazz and sheet music” analogy.
If someone clicks/is told you’re using Tomb of Horrors, they’ll know more than a player who is experiencing that for the first time organically. Obviously applying that and not breaking PC-player knowledge divide is the players issue to maintain, but they’ll still have that seed lurking in their brain about the upcoming set pieces
I’m on team “tell the players”, personally, because it lets the players customise their characters for the module. A group for Wilds Beyond the Witchlight are going to be different from Descent Into Avernus, for example.
(Of course, if a player decides to put Doom Guy in a fairy tale, that’s perfectly fine, but it should be their choice.)
Also, a person who knows about Tomb of Horrors will figure it out pretty quickly during gameplay anyway because of those set pieces you mentioned, so it doesn’t matter if you didn’t tell them what it was. Heck, they might even have bowed out so they don’t ruin things with their meta-knowledge, if only they knew what they were going to be playing.
Lede*
And, I don’t necessarily disagree, though it’s the latter half of the statement that clarifies the problematic thinking: removing player agency is not a good first step.
Lead*
Fair point, though I can only assume that it won’t be long before people are mispronouncing it IRL, for reasons not unlike “decimate” vs. “devastate”. 🫣 Ah, the consequences of underfunded education at the national scale. 🥹
Wow, that jazz simile. Love it!
Still, memes likes this one actually breed such GMs, because somehow they think it’s funny.
They are funny as memes, but beginner DMs might not be able to tell the difference.
I feel the same way about the False Hydra. As a recounted creepypasta it sounds cool. As an actual TTRPG enemy it’s unworkable. Either the adventure will be very scripted, because the DM has to pretty much allow you to perceive it, or it will be completely unfair and insufferable, because you’ll need to constantly pretend you don’t notice it and that you forget things as it decimates the party. It’s not a good D&D enemy, it doesn’t even fit the rules of D&D well. Mind effect with no saves unless you cover your ears? C’mon…
Can’t trust any damn furniture!
The mimic table ate the contract.
It’s also a quick way to turn a regular player into a murderhobo, because if can’t trust anything not to be hostile, the best approach is to attack first.