doublepepperoni [none/use name]

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Joined 6 years ago
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Cake day: July 26th, 2020

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  • The obviously foreign character of Poirot is definitely used to poke fun at Brits and their racist insular attitudes

    Of course, there’s also the episode where the disappeared Russian servant of a rich old lady is suspected of murdering her and being a Soviet agent. Poirot figures out this can’t be the case because he finds a bunch of Orthodox religious paraphernalia and a picture of Nicholas II in her bedroom and it turns out that she is actually the Good Kind of Russian: an aristocrat who fled after her family lost their holdings to stalin-comical-spoon and is now forced to live under a false name and work as a servant. At the end she gets the old lady’s inheritance and can resume her upper class lifestyle and hopes that someday Russia too can be truly free. Poirot’s only love interest was also an exiled Russian noble who missed living in a mansion

























  • The Old Blood is meh; it’s like meme Halloween DLC.

    I was really looking forward to The Old Blood after playing TNO to see some classic Wolfenstein tropes served a lá New Wolf but yes, it ended up being just kind of an okay DLC and the supernatural elements felt really undercooked. sicko-wistful

    The New Colossus is oddly different tonally from the first game in a way that is hard to describe, but just not as compelling for some reason.

    I think that the election of Donald Trump and the rise of the alt-right between the two games really affected the sequel’s writing. After the Nazi villains were shown in a sinister, creepy light in TNO the devs made sure to make them as stupid and pathetic as possible in the sequel. To really drive the point home, they wheel out

    spoiler

    a decrepit, demented Hitler to piss, shit and vomit all over himself as he shoots Ronald Reagan in the face

    The subplot with BJ’s retconned racist, anti-semitic southern white trash dad also feels like another take that against American right wingers

    A large part of what made the first game so compelling was the serious, solemn way in which they depicted the horror and despair of a post-Nazi victory Europe and what made exploding them into gibs by the dozens feel so good. Turning the whole thing into some slapstick grindhouse flick just sucked all the gravitas out