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Joined 1 year ago
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Cake day: June 13th, 2023

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  • Here’s the way I look at it. This is your life and you get to play it out as you please. It’s really none of my business to begin with, and I am not really sure how this would come up in casual conversation, so I am hoping to most people it’s just not even a topic. I have kids, I have friends that have kids, and even with that basic amount of knowledge we don’t sit around chatting about things like that. Don’t overthink this, and keep in mind that you make your own decisions. Just because you don’t have kids doesn’t mean anything either. I have friends with no kids, and gotta say, sometimes I am a little envious. Wouldn’t change anything, but it’s nothing to feel bad about. Lighten up on yourself and just do what you want to do.














  • If you are shooting nature and want things consistent, sounds like it might be time to try out going to manual mode on the exposure, and even on the focus. I have access to an EOS R, but I find that manually focusing with a dslr is way easier than with the new digital viewfinders, but that could just be from a lack of experience with them on my part. Either way, give manual settings a try, especially if you are trying to capture the differences between the shadows and bright areas. I believe you can move the exposure lock to the back button. That might be what you are looking for. Get the exposure you want, hold the button to lock it in, then recompose and use the shutter button half press to let it focus. Then you can play around with where the focus point is in the frame to help ensure it’s focusing on what you want. Shooting moving cars required the opposite where focus was key and letting it meter the exposure right at the time the picture was taken was important. In your case, the focus isn’t going to be moving, you just need to nail down what it focuses on, and the exposure is what you are “chasing”. Which is why I would try out just going manual on the focus.


  • I would have to find my 5D book, but the issue there is that holding the shutter button down halfway also locks in the metering. So when you re-compose you have both the focus and metering locked. With the focus on the back button, you can separate the two, lock them to what you want, and then still re-compose the shot. My background was shooting racecars, so holding the shutter halfway and tracking wasn’t exactly something I could do. I could hold the back button down, and then just fire the shutter when I was ready. Lots of panning, so trying to be delicate with the shutter button wasn’t really a good idea for me when things got moving.