I now have a full time job plus a long commute, which means… more time for reading manga while half-asleep? Huh?

Anyway the last thread of this kind was in July, and since then an anime season has finished, so might as well do it again.

For me:

Manga:

Sayonara Zetsubou Sensei (2005): Parallel to watching the excellent adaptation, I have picked up the manga and, much like Kaiji, finished it in a concerningly short time. Koji Kumeta has a bone to pick with the world… with everything in the world. What arises is a very entertaining ruthless critique. I’m fairly sure he’s either still a leftist, or used to be one and got disappointed. However, he is also nationalistic. A political mess, mostly agreeable, sometimes dropping horrible takes - but a fantastic manga which never loses its bite no matter how many chapters you are into it. It’s also less horny than the Shaft adaptation. A+

√Paradise (1991): Being curious about Kumeta’s early work, I read this short manga of his, which is basically the Yakuza games’ cabaret club side-plot in manga form. Not too interesting, but a decent enough read. B-

Ijiranaide, Nagatoro-san (2017): Nagatoro is a decent romance manga with a pretty bad beginning. It ended a few months ago, but I have caught up only recently. Not much else to say, really. B

Shiroyama to Mita-san (2021): Nice comedic romance/slice of life manga about two (mostly) uncool people. Fun, but have not finished it yet. B+

Anime:

Aa-Megami Sama (2005): I had read a large chunk of the manga before, and it’s just as fun as I remembered it being. The romance stuff isn’t too strong, but the hijinks are fun. The source material being from the 80s means that many of the usual tropes didn’t exist yet… or were being invented. A-

Fullmetal Alchemist (2003): Almost done with this show, it’s been really good overall. Strong characters and storytelling, and the anime original plot… I can clearly see why it’s controversial, but I like it. Good show. A

Makeine: Too Many Losing Heroines! (2024): The only seasonal I didn’t drop. Story-wise very conventional, but the character writing was good. Anna Yanami in particular, being one of the strongest female leads in recent anime history. It had a few tone-unfitting scenes that felt tacked on for the horny audience, but overall decent show. B

Western Animation

The Owl House (2020): Very fun show, with some blatant inspiration from many recognizable source materials, western and Japanese. King is a king. A

  • Belly_Beanis [he/him]@hexbear.net
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    2 months ago

    The manga author is a Japanese nationalist who thinks Japan did nothing wrong in WWII and the ending of AoT is a homage to that.

    The animation is good and the monster designs are cool, but I couldn’t finish it due to all the exposition dumps and flashbacks trying to fix plot holes/character development.

    • whogivesashit
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      2 months ago

      Nah that makes perfect sense. Several moments gave me weird ass nationalist vibes.