The more I look at these, the more I’m taken by the feeling that what I’m looking at was not only formed by nature, but colonized by nature in a seemingly random way that has a mind of its own - apart from the artist. It is this “mind” that creates a lot of natural process art, and as an artist I can tell you that it is a joy and a wonder to work with, once you can forge a relationship with it.
I do not think that this particular artist copies mold colonial distribution exactly, mapping them all out using mathematical coordinates, but there’s an overall feeling that says “this is natural”, not a placement that feels labored over, or over-considered, and that requires an artist for which the natural world, its preservation and presentation, is more important than the ego, or the will of the artist.
I can highly respect that.
