As an artist, I think it is a net negative for us. Disregarding the copyright issue, I think it’s also consolidating power into large corporations, going to kill learning fundamental skills (rip next generation of artists), and turn the profession into a low skill minimum wage job. Artists that spent years learning and perfecting their skills will be worth nothing and I think it’s a pretty depressing future for us. Anways thoughts?
What are your thoughts on digital art software like Photoshop?
As an artist, I think it is a net negative for us. Disregarding the copyright issue, I think it’s also consolidating power into large corporations, going to kill learning fundamental skills (rip next generation of artists), and turn the profession into a low skill minimum wage job. Artists that spent years learning and perfecting their skills will be worth nothing and I think it’s a pretty depressing future for us. Anways thoughts?
I hope that wit cracks through, clever.
Drawing an equals sign between Adobe Photoshop and Stable Diffusion isn’t “wit.” It’s moronic.
If you cannot recognise the problem with OP’s argument, that gun parodied, I think it is you that needs to get better with humour. Regression (in this case technological) is a very right wing and conservative mindset derivation. The cat is out of the bag, and I hope these copyright defending artists are not the ones rallying against destruction of copyright/IP industry when it comes to their enemies. After all, hypocrisy will look very bad.
Failing to understand the difference between Adobe Photoshop – a swiss army knife tool used by artists to create art – and Stable Diffusion – a deep learning model that uses, as input, the labor of millions of artists in order to produce remixes – is abysmally reductive.
These questions aren’t really directed at you and I’m not saying this to be provocative but because I can’t quite figure out what’s going on through this whole page: isn’t every technology the crystallised labour of workers who came before? I’ll have to double check myself, but isn’t that the definition of capital (I’m tempted to say ‘constant capital’)?
Why is the labour of Photoshop programmers, engineers, etc, and all the people whose work went into feeding those workers, lighting the rooms they worked in, powering the buildings, mining the energy for the power, and so on, any different to the labour of artists that gets fed into an AI machine?
Is art a uniquely different human activity? And if so, why? What sets it apart?
That’s a difficult question to answer :) I’ll leave that one to those more involved in the art world than I am.
You’re correct that labour is always involved in producing value. But labour is not always compensated for the full value they produce. The photoshop programmers, and all the people whose work went into feeding them, lighting the rooms they worked in, powering the buildings they worked in, mining the energy for the power, and so on… were all compensated for their work.
Obviously they weren’t fairly compensated. This is capitalism we’re talking about after all. And yes, there are limits to compensation, arrived upon by collective decisions made by society and spelled out in legal agreements (and yes of course, under capitalism, only a small subset of society makes those decisions). E.g., the photoshop programmers are not entitled to a piece of the sale of every artwork that an artist creates when using photoshop. Incidentally, this is part of why photoshop is so phenomenally expensive.
But as communists, we believe that labour is entitled to all value it produces. And in this scenario, the value that was created by these artists through their labour hasn’t been compensated at all, much less the full value. Stable Diffusion is absolutely worthless without a massive training dataset, and that dataset is produced by the labour of combined millions of artists and their works, none of whom granted permission to these tech companies to use their work.
Good points!
And I think you’re right to avoid the philosophical question. Given the debate after the OP asked their question, I was brave to even hint at mine.
Although… People pay for Photoshop? I’m kidding, of course; shaky text you wouldn’t steal a bike…shaky text
Unless you were an AI company and it was a picture of a bike, apparently.
That’s a shitty move by the tech companies. They’ve got very sure of their right to information, especially since they started mass harvesting our data and we, generally, agreed to hand it over willingly for cheap shots of dopamine. I guess that famous saying is right: information wants to be free. Particularly if the person who wants it is willing just to take it.)
The whole point of analogy is to convey idea, not to be a dissertation detailing down to the vein and artery.
Artists are defending their interests and with it the whole copyright industry, and if you think this would have never happened, now you know that reality cannot be defied and delayed, and capitalism is simply accelerating things that we would have encountered as problems a lot later.
Artists were thinking they were going to become Picassos one day and rule among capitalist class. They would never be able to do that. They were and are a part of working class, and this is the boulder that has hit their heads now.
I’m pretty sure that literally nobody these days expects that they are going to “rule among the capitalist class” by becoming an artist. You have got to be kidding me. It’s ironic because most of the users on this site are programmers/involved in developing computer science and you know that they are more well off and have more status than anybody who has ever claimed to be an artist here that is an artist first and foremost, not a programmer and then an art hobbyist as a second.
Literally anybody can be an artist or do anything if they want to do the work. Itisn’t reserved to a special class or something. Like what the heck.
Your assumption that everybody here is a neckbeard programmer is not just wrong, but goes a little beyond being wrong. It is like those lib brains stereotyping everything with no depth in their takes. You are all over in this thread, like probably 1/5th comments, peddling this same thing, how everybody who counters OP is a programmer with no soul and empathy. Big WTF
The two posts you made in this post were just dunking on artists as just wanting to go into it to just be among capitalists and be the next Piccaso. Which is honestly ridiculous. Nobody wants to be an artist to get rich. On the flip side, everyone wants to get into tech to get rich, unless you are planning to go into academia or research with the aim of helping people and that isn’t often. Just look at AI developers. They aren’t creating the technology out of goodwill. It isn’t beyond reality to assume that most of the people defending AI aren’t artists. I’m going to call it for what it is: people who hate artists are jealous and they hate anybody who puts in the mental and physical labor to doing something that requires effort. Literally anybody is allowed to do what they want and deserves to feel good about building their skills in something. Being an armchair political theorist on Lemmy and online circles takes literally zero effort but it takes effort to do anything creative. Prompting AI game assets and furry boobs and overly rendered space porn doesn’t count.
While there was controversy about the introduction of Photoshop (and likewise photography) in the art world, we saw/now see it as a tool that can help artists create more/better art. AI Art on the other hand, seems to be a tool for capitalists to forgo the need for artists at all (judging by the wording on AI Art companies statements, like aiming for no revisions on the final product). An example of an AI tool for artists would be a better magic wand tool. I think on an instinctual level, we humans can tell what is a tool and what is meant to replace us.
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My apologies, replied to the wrong person.